Keyssar also accentuates the expensive, hectic, heavily mediated nature of the Convention. In addition to the jumbotrons, there are the thousands of television cameras, television screens, photographers’ cameras, smartphones, microphones, lights, teleprompters, speakers, and cables, all designed to enhance the sensory experiences of listeners and watchers inside the Convention hall and thousands of miles away. They make possible the gloss and the glitz, and the sense of enthusiasm and momentum, which the Democratic Party hopes will carry them from the Convention to Election Day. Keyssar gives us something different. “I’m leaning into looser and more imperfect images than usual, because the product that I’m shooting is so glossy,” she said. “I’m trying to throw some aesthetic sense of questioning into that experience, to be a glitch between the viewer and the show.”
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